muzlenta.ru

KOTTKE LEO

Date: Wed, 23 Aug 95 10:48:16 EST
From: "JARRELL_JIM" 

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\par       While already posted in OLGA under Allman Brothers,
\par       this is my cut on Kottke's version (light years ahead
\par       of good ol'boy Duane's). As a musical novice, I am unable
\par       to add time values to the Tab. I break up measures very
\par       hap-hazardly to say the least. 
\par       Bottom line...If you're not familiar with the tune 
\par       you're in big trouble. You gotta listen to it.
\par 
\par  
\par                      "Little Martha" 
\par                             Duane Allman
\par 
\par                       arrangement: Leo Kottke
\par                       From "Home and Away"
\par                       video and "A Shout Toward
\par                       Noon"
\par                       Tab: Jim Jarrell
\par 
\par        Open D tuning
\par 
\par        *  Harmonic
\par        h  Hammer-on
\par        p  pull-off 
\par        s  slide
\par        x  dampen or undetermined point
\par        g  ghost note or very insignificant note
\par           primarily used to maintain beat or assist
\par           in left hand movement. Should be played and
\par           heard, but only in passing
\par       ( ) indicates optional notes.  See explanation below
\par 
\par       Section I
\par          
\par     d |--------------------12*--|------------------------|
\par     a |-----------12*-----------|-----12*-------10s9-----|                
\par     f#|-----12*------12*--------|------------0--------0--|
\par     D |--------12*------12*-----|--------12*---------0---|
\par     A |--12*--------------------|--12*-------------------|
\par     D |-------------------------|------------------------|
\par                             ^                g       gg
\par                             |
\par                       accentuate harmonic!      
\par                        
\par 
\par       |-----------------------------0----|
\par       |------------12*--------7*---------|  repeat section I 
\par       |------12*----------7*----7*------@|  ?X's (til you get
\par       |---------12*---------7*----7*----@|  tired of it!) 
\par       |---12*-----------7*---------------|   I think its 4Xs
\par       |----------------------------------|   
\par 
\par 
\par        Note: the "10s9" is later on played "10s9s10s9"
\par              with the 2nd string only struck once. 
\par     
\par        Section II  
\par 
\par       |----------------0------------------------|
\par       |---------0-----(0)----0------------------|
\par       |--0h1---(0)----------(0)-------1p0-------|
\par       |--0h2--------0--------------0--2p0----0--|
\par       |-------0-----------0----------------0----|
\par       |--0--------0----0--------0-----0---------|
\par                                            g g 
\par   
\par                 ^see note at end of section
\par  
\par                          1st ending 
\par       |----------------|--------------------|
\par       |---------0------|--------------------|
\par       |--0h1---(0)-----|-------1-----0------|
\par       |--0h2--------0--|--2----2--0------0--|
\par       |-------0--------|--4-------------0---|
\par       |--0--------0----|-----2-------0------|
\par                           |             gg 
\par                        vibrato the "4"
\par                        on both endings
\par 
\par         2nd time  
\par 
\par       |--------------------|
\par       |--------------------|
\par       |--------1-----------|   repeat section II ?Xs
\par       |--2-----2-----0-----|   I think 2Xs
\par       |--4--------0--------|
\par       |-----2--------0-----|
\par 
\par       
\par        
\par        ^ Note: The third string open note here (in combination
\par          with the second string open note) is optional. The two 
\par          notes played together give a fuller sound. This idea
\par          holds true for sections II and III when adjacent string
\par          notes are played (eg. 5,s below and 0,s in section I. 
\par                                5             0
\par 
\par 
\par       Section III
\par 
\par 
\par       |-------------------5---------------|
\par       |----------5-------(5)----5---------|
\par       |--5h6----(5)------------(5)--------|
\par       |--5h7-----------5--------------5---|
\par       |-------5--------------5------------|
\par       |--5----------5-----5--------5------|
\par 
\par 
\par 
\par       |--------------------------|-----------------|
\par       |------------------5-------|-------------5---|
\par       |--6p5-------5h6--(5)------|-----------5-----|
\par       |--7p5----5--5h7--------5--|--7-----6--------|
\par       |-------5--------5---------|--9-----7--------|
\par       |--5---------5--------5----|-----0-------5sX-|  
\par                                              
\par                                            subtle slide
\par                                       
\par 
\par       Repeat Section II, then everything from the top
\par       I think..:)
\par 
\par 
\par        Section IV
\par 
\par                                       1/2 barre
\par       |--5s7---5--------------------------------------|
\par       |--5s7---5--5s7---8p7----5------3h4p3h4p3h4p3h4-|
\par       |--5s7---5--5s7---7------5----3-----------------|
\par       |--7s9------5s7---9p7--5--------3h5p3h5p3h5p3h5-|
\par       |-----------7s9-------------0-------------------|
\par       |-----------------------------------------------|
\par 
\par 
\par        Not to worry...above measure not nearly as hard
\par        as it appears.  If you don't use right hand ring
\par        finger to play, leave out "7s9"s. Last hammer/pull-
\par        offs done with only one, initial right hand movement.
\par        Just keep hammer/pulloff going til you run out of 
\par        sustain......
\par 
\par 
\par                                          (start Sec II)
\par       |------------------0---------------|------------
\par       |-----4p3------------0-------------|------------
\par       |--3-------5p3---0-----1-0---------|-0h1---etc..
\par       |--------------5-----------2-0-----|-0h2--------
\par       |------------------------------2-0-|------------
\par       |----------------------------------|-0----------  
\par 
\par        
\par        Leo slightly muffles above measure with heel of 
\par        right hand. Somewhat of a staccato effect. Note 
\par        that "1 0" and rest of measure played with alter-
\par        nating right thumb and index finger (I think! :)
\par 
\par 
\par        If previous measure doesn't work for you try it
\par        this way.....
\par 
\par        |------------------0---------------|
\par        |--0--4s3--2p0-------0-------------|
\par        |--------------1-0-----1-0---------|
\par        |--------------------------2-0-----|
\par        |------------------------------2-0-|
\par        |----------------------------------|  
\par        
\par         Same notes but maybe alittle easier?
\par 
\par 
\par            Corrections, comments etc. welcome!
\par 
\par           Jim Jarrell  work- JarrellJ@N4.OPNAV.NAVY.MIL
\par                        home- KQTJ46A@prodigy.com
\par 
\par                                                   
\par }{\f11\fs16 
\par }}