King crimson - Lament.tab

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    Группа: 
    KING CRIMSON
    
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    \typewriter{                      "Lament" by King Crimson
    
    
    The pattern for the lead for the first 38 measures, except where 
    
    indicated, is: 
    
    
        ||     |     |   ||     |     |   |  That is, a dotted quarter, 
    
        ||     |     |   ||     |     |   |  then a dotted quarter 
    
        |/.    /.____/   |/.    /.____/   |  tied to a quarter.
    
    
                          -----------------------
    
                1                2                3                4
    
      E |----------------|----------------|----------------|----------------|
    
      B |----------------|----------------|----------------|----------------|
    
    4 G |3-----3---------|3-----3---------|3-----3---------|3-----3---------|
    
    4 D |3-----2---------|1-----2---------|3-----2---------|1-----2---------|
    
      A |----------------|----------------|----------------|----------------|
    
      E |----------------|----------------|----------------|----------------|
    
               
    
                5                6                7                8
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |3-----3---------|3-----3---------|3-----3---------|3-----3---------|
    
        |3-----2---------|1-----2---------|3-----2---------|1-----2---------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        "I guess I tried to show you how, I'd take the crowd with my guitar,
    
    
                9                10               11               12
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |5-----5---------|5-----5---------|5-----5---------|5-----5---------|
    
        |5-----4---------|3-----4---------|5-----4---------|3-----4---------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
         and businessmen would clap their hands, and clip another fat cigar.
    
            
    
                13               14               15               16
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |6-----6---------|6-----6---------|6-----6---------|6-----6---------|
    
        |6-----5---------|4-----5---------|6-----5---------|4-----5---------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
      And publishers would spread the  news, and print my music far and wide.
    
    
                17               18               19               20
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |8-----8---------|8-----8---------|6-------6-------|4-------4-------|
    
        |8-----7---------|6-----7---------|6-------5-------|4-------3-------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
                                           (notice, two tied quarters here)
    
         All the kids who play the blues,
    
                               would learn my licks with a bottleneck slide.
    
    
                21               22               23               24
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |3-----3---------|3-----3---------|3-----3---------|3-----3---------|
    
        |3-----2---------|1-----2---------|3-----2---------|1-----2---------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
                                          But now it seems the bubble's burst,
    
      
    
                21               22               23               24
    
        |----------------|----------------|----------------|6-7-9-7---6-----|
    
        |----------------|----------------|----------------|------------7---|
    
        |----------------|----------------|----------------|--------------6-|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
            (Here, the guitar doubles in 24 what the violin plays in 22.)
    
    
                25               26               27               28
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |3-----3---------|3-----3---------|5-----5---------|5-----5---------|
    
        |3-----2---------|1-----2---------|5-----4---------|3-----4---------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
       although you know there was a time, when love songs gathered in my head,
    
      
    
               25               26               27               28
    
        |----------------|----------------|----------------|8-9-11--9-8-----|
    
        |----------------|----------------|----------------|------------9---|
    
        |----------------|----------------|----------------|--------------8-|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
         (Again, guitar doubling in 28 what the violin plays in 26. 
    
          Note that the third note is an "11" (a D#), not two 1's.)
    
    
                29               30               31               32
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |5-----5---------|5-----5---------|6-----6---------|6-----6---------|
    
        |5-----4---------|3-----4---------|6-----5---------|4-----5---------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        with poetry in every line.  And strong men strove to hold the doors, 
    
    
                33               34               35               36
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
        |6-----6---------|6-----6---------|8-----8---------|8-----8---------|
    
        |6-----5---------|4-----5---------|8-----7---------|6-----7---------|
    
        |----------------|----------------|----------------|----------------|
    
        |----------------|----------------|----------------|----------------|
    
      While with my friends I passed that age, when people stomped on dirty 
    floors,
    
    
                37               38             
    
        |----------------|----------------|
    
        |----------------|----------------|
    
        |6-------6-------|4-------4-------| (Again, these are tied quarters.)
    
        |6-------5-------|4-------3-------|
    
        |----------------|----------------|
    
        |----------------|----------------|
    
         before I trod the rock 'n roll stage..."
    
    
    The rhythm for measures 39-52, in 6/4 time, is two dotted quarters, a 
    
    quarter, and four eighth notes:
    
      ||     |     |   |\\|\\|\\|\\|
    
      ||     |     |   | | | | |
    
      |/.    /.    /   / / / / |
    
    
                  39                       40
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
    6 |------------------------|------------------------|
    
    4 |--------------------3\\2-|--------------------2\\1-|
    
      |----------------4\\3-----|----------------3\\2-----|
    
      |2-----2-----2-----------|2-----2-----2-----------|
    
    
                  41                       42
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |--------------------1/2-|--------------------4\\3-|
    
      |----------------3\\2-----|----------------4\\3-----|
    
      |2-----2-----2-----------|2-----2-----2-----------|
    
    
                  43                       44
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |--------------------3\\2-|--------------------2\\1-|
    
      |----------------3\\2-----|----------------3\\2-----|
    
      |2-----2-----2-----------|2-----2-----2-----------|
    
    
                  45                       46
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |--------------------1\\0-|--------------------6\\5-|
    
      |----------------3\\2-----|----------------5\\4-----|
    
      |2-----2-----2-----------|2-----2-----2-----------|
    
       
    
                 47                       48
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |--------------------5\\4-|--------------------4\\3-|
    
      |----------------4\\3-----|----------------5\\4-----|
    
      |4-----4-----4-----------|4-----4-----4-----------|
    
    
                  49                       50
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |--------------------3\\2-|--------------------4\\3-|
    
      |----------------5\\4-----|----------------4\\3-----|
    
      |4-----4-----4-----------|4-----4-----4-----------|
    
    
                  51                       52
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |------------------------|------------------------|
    
      |--------------------3\\2-|--------------------2\\1-|
    
      |----------------3\\2-----|----------------3\\2-----|
    
      |2-----2-----2-----------|2-----2-----2-----------|
    
    
                        53                               54
    
        |--------0-----------------------|----0---------------------------|
    
        |r-------4-----------------------|r---3-----------------------r---|
    
     8  |e-------4-----------------------|e---1-----------------------e---|
    
     4  |s-------4-------------------1\\0-|s---0-----------------------s---|
    
        |t-----------------------3\\2-----|t---------------------------t---|
    
        |--------------------------------|--------------------------------|
    
    
    Now the rhythm becomes, in 8/4 time, a quarter, two dotted quarters, a
    
    tied half, and four eighth notes.
    
         |   |     |     |   |   |\\|\\|\\|\\
    
         |   |     |     |   |   | | | |
    
         /   /.    /.    /___/   / / / /
    
    
                        55                               56
    
        |--------------------------------|--------------------------------|
    
        |--------------------------------|--------------------------------|
    
     8  |--------------------------------|--------------------------------|
    
     4  |----3-----2-----1-----------0/1-|----1-----2-----3-----------4\\3-|
    
        |------------------------4\\3-----|------------------------5\\4-----|
    
        |2-------------------------------|2-------------------------------|
    
    "I'll thank the man who'e on the phone and if he has the time to spend."
    
    
                        57                               58
    
        |--------------------------------|--------------------------------|
    
        |--------------------------------|--------------------------------|
    
        |--------------------------------|--------------------------------|
    
        |----3-----2-----1-----------0/1-|----1-----2-----3-----------6\\5-|
    
        |------------------------4\\3-----|------------------------5\\4-----|
    
        |2-------------------------------|2-------------------------------|
    
    "The problem I'll explain once more and indicate a sum to lend."
    
    
                        59                               60
    
        |--------------------------------|--------------------------------|
    
        |--------------------------------|--------------------------------|
    
        |--------------------------------|--------------------------------|
    
        |----5-----4-----3-----------2/3-|----3-----4-----5-----------7\\6-|
    
        |------------------------5\\4-----|------------------------6\\5-----|
    
        |4-------------------------------|4-------------------------------|
    
    "That ten percent is now a joke.    Maybe thirty, even thirty-five."
    
    
                        61                               62
    
        |--------------------------------|--------------------------------|
    
        |--------------------------------|--------------------------------|
    
        |--------------------------------|--------------------------------|
    
        |----6-----5-----4-------1\\0-3/4-|----4-----5-----6-----------7\\6-|
    
        |--------------------------------|------------------------6\\5-----|
    
        |5-------------------------------|5-------------------------------|
    
    "I'll say my daddy's had a stroke, he'd have one now if he only was alive."
    
    
                        63                               64
    
        |--------0-----------------------|----0---------------------------|
    
        |r-------4-----------------------|r---3-----------------------r---|
    
     8  |e-------4-----------------------|e---1-----------------------e---|
    
     4  |s-------4-----------------------|s---0-----------------------s---|
    
        |t-------------------------------|t---------------------------t---|
    
        |--------------------------------|--------------------------------|
    
    
    The drums now pound out something in 4/4 like this:
    
            
    
    |   |   |\\|\\|\\|\\ /quarter\\|
    
    /   /   / / / /  \\ rest  /|
    
    
    At the same time, the guitar plays this, all notes sustained throughout:
    
    
              65               66               67               68
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    4 |----------------|----------------|----------------|----------------|
    
    4 |3-----2-----1---|--0-------------|------0-----1---|--2-----3---4---|
    
      |----------------|--------4-3-2-3-|4---------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    
              69               70               71               72
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
      |3-----2-----1---|--0-------------|------0-----1---|--2-----3---4---|
    
      |----------------|--------4-3-2-3-|4---------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    
              73               74               75               76
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
      |5-----4-----3---|--2-----1-0---0-|1-----2-----3---|--4-----5---6---|
    
      |----------------|------------4---|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    
              77               78               79               80
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|-------------r--|
    
      |----------------|----------------|----------------|-------------e--|
    
      |7-----6-----5---|--4-----3-2-1-2-|3-----4-----5---|--6-----7---8s--|
    
      |----------------|----------------|----------------|-------------t--|
    
      |----------------|----------------|----------------|----------------|
    
    
                        81                               82
    
        |--------0-----------------------|----0---------------------------|
    
        |r-------4-----------------------|r---3-----------------------r---|
    
     8  |e-------4-----------------------|e---1-----------------------e---|
    
     4  |s-------4-----------------------|s---0-----------------------s---|
    
        |t-------------------------------|t---------------------------t---|
    
        |--------------------------------|--------------------------------|
    
    
    Just as before, all notes are sustained.  Please note that "11\\0" 
    
    and "13\\2" denote pull-offs from 11 to 10 (not 0) and 13 to 12, 
    
    resp., while "10/11" denotes the usual hammer-on from 10 to 11.  Distortion 
    
    plays a big part of the sound here, so let 'em ring.  Also, the rhythm gets
    
    very tricky.  Hammer-ons and pull-offs should be rather subtle.
    
    
              83               84               85               86
    
      |----------------|----------------|----------------|----------------|
    
      |--11\\0--10--11--|--10-/11----11--|--11\\0--10--11--|--10-/11----11--|
    
    4 |----------------|----------------|----------------|----------------|
    
    4 |11----11--11----|11--------11----|11----11--11----|11--------11----|
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    
              87               88               89               90
    
      |----------------|----------------|------12--------|----------------|
    
      |--11--11----11--|--11--11----11--|--11--------11--|--11--11----11--|
    
      |----------------|----------------|----------------|----------------|
    
      |11--------11----|11--------11----|11--------11----|11--------11----|
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    
             91                92               93               94
    
      |----------------|----------------|----------------|----------------|
    
      |--13\\2--12--1313|--12----13--12--|--1313--12--13--|12--13--12--1213|
    
      |----------------|----------------|----------------|----------------|
    
      |13----13--13----|13----13--13----|13----13--13--13|--13--13--------|
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    
             95               96               97               98
    
      |----------------|----------------|----------------|----------------|
    
      |--14--14--14--14|14--14--14--1414|--14--14--14--14|14--14--14--14--|
    
      |----------------|----------------|----------------|----------------|
    
      |14--14--14--14--|--14--14--14----|14--14--14--14--|--14--14--14--14|
    
      |----------------|----------------|----------------|----------------|
    
      |----------------|----------------|----------------|----------------|
    
    
                        99                               100
    
        |--------0-----------------------|----0---------------------------|
    
        |r-------4-----------------------|r---3-----------------------r---|
    
     8  |e-------4-----------------------|e---1-----------------------e---|
    
     4  |s-------4-----------------------|s---0-----------------------s---|
    
        |t-------------------------------|t---------------------------t---|
    
        |--------------------------------|--------------------------------|
    
    
    [then last verse with heavy distortion guitar playing God knows what!]
    
    }}"I like the way you look at me. . . Say when you want to go and dance all 
    night"
    
    
    
    This is the basic rhythm for the ending(it's actually broken down farther in 
    to 7/16, but this is easier to write, moreover the drums seem to be doing 
    something in 7/4, which makes the melody sound more off beat.)
    
    
      ________  ________  |
    
    7 | | | _|  | _| | |  |
    
    - | | |  |  |  | | |  |
    
    8 / / /  /  /  / / /  |
    
                        
    
    \typewriter{_____  ____  _____  |
    
    | | |  |__|  | | |  |
    
    | | |  |  |  | | |  |
    
    / / /  /  /  / / /  |
    
    
    This is the tab:
    
    Guitar(in 7/8):(2nd fret position)
    
    ----------------------------|----------------------------|
    
    ----------------------------|----------------------------|
    
    ----------------------------|----------------------------|
    
    --------2---4-------2---4---|--------2---4-------2---4---|
    
    ----3-------------3---------|----3-----------3-----------|
    
    2-------------2-------------|2-------------2-------------|
    
    do 2x(at 2nd fret pos.) then transpose up 2 frets
    
    do 1x(at 4th fret pos.) then transpose up 2 frets
    
    do 1x(at 6th fret pos.)
    
    }}\typewriter{=====================
    
    }}}}}}This tablature was figure out and edited by
    
    Scott Lillis: sl4q+@andrew.cmu.edu
    
    &
    
    Kurt Colville: kfcolvil@mailbox.syr.edu
    
    \enddata{text,17944524}

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