King crimson - Frame by frame

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    KING CRIMSON
    
    #----------------------------------PLEASE NOTE---------------------------------#
    #This file is the author's own work and represents their interpretation of the #
    #song. You may only use this file for private study, scholarship, or research. #
    #------------------------------------------------------------------------------##
    #
    
    #----------------------------------PLEASE NOTE---------------------------------#
    #This file is the author's own work and represents their interpretation of the #
    #song. You may only use this file for private study, scholarship, or research. #
    #------------------------------------------------------------------------------##
    Date:     Thu, 9 Apr 92 15:31:47 PDT
    From: Sven 
    
    
    King Crimson -- Frame by Frame
    
    
    
    This is the 7/8 guitar part that Belew plays during the singing:
    
    ----------------!----------------!--      ----------------!---------------!
    ----------2-----!----------2-----!--      ----------2-----!---------2-----!
    --2---4-----4---!--2---4-----4---!- etc...--2---4-----4---!--2---4----4---!
    ----4---4-----4-!----4---4-----4-!--      ----3---3-----3-!----3---3----3-!
    ----------------!----------------!----    ----------------!---------------!
    ----------------!----------------!-       ----------------!---------------!
    
    
    ----------------!----------------!----------------!
    ----------2-----!----------2-----!----------5-----!
    --2---4-----4---!--2---4-----4---!--5---7-----7---!  repeat the same pattern
    ----2---2-----2-!----2---2-----2-!----7---7-----7-!  at the 5th fret.
    ----------------!----------------!----------------!
    ----------------!----------------!----------------!
    
    The fripp line on top of the belew 7/8 is basically the same riff in
    alternating bars of 6 and 7, but KEEPING THE SAME 8th note value. 
    This produces the funky intervals you hear... and you thought it
    was a delay! (I know *I* did first time I heard it... 8-)).
    
    ------------------|---------------|
    ------------2-----|----------2----|
    --2---4-------4---|--2---4--------|
    ----2---2-------2-|----2---2---2--|
    ------------------|---------------|  etc. over the 7/8 above...
    ------------------|---------------|
    
    
    The chording during fripps' wacked out picking in the intro and 
    between verses seems to be a barred 9th chord, dropping the 
    unison on the G string to the major 7th, ie
    
    --2-----2--2----|
    --2-----2--2----|
    --4-----3--4----|
    --4-----4--4----|
    --2-----2--2----|
    --2-----2--2----|
    
    with appropriate whammy bar antics for the first chord, then up to a
    Dsus2 (5th & 7th fretts) then again another 3rd.  
    
    Oh yeah, when the 13/8 and 7/8 fall back together, they play for
    about 3 bars both in 7 *then* drop the bass note as noted above.
    
    Some one is yet to figure out the "wacked out fripp part".
    
    
    
    
    
    
    Date: Tue, 6 Feb 1996 11:39:02 -0500
    From: Taylor Sherman 
    Subject: TAB: Frame_by_frame by King Crimson
    
    This was originally posted by Sven .
    Excellent work on the 13/8 part, but I found a small error in the
    second change of the 7/8 part: Instead of the second note in each 
    measure moving down another half step, the first note moves down a 
    half step.  I've also made some headway into the "Wacked out Fripp part."
    
    	-Taylor Sherman
    
    King Crimson -- Frame by Frame
    
    
    
    This is the 7/8 guitar part that Belew plays during the singing:
    
    ----------------!----------------!--      ----------------!---------------!
    ----------2-----!----------2-----!--      ----------2-----!---------2-----!
    --2---4-----4---!--2---4-----4---!- etc...--2---4-----4---!--2---4----4---!
    ----4---4-----4-!----4---4-----4-!--      ----3---3-----3-!----3---3----3-!
    ----------------!----------------!----    ----------------!---------------!
    ----------------!----------------!-       ----------------!---------------!
    
    
    ----------------!----------------!----------------!
    ----------2-----!----------2-----!----------5-----!
    --1---4-----4---!--1---4-----4---!--5---7-----7---!  repeat the same pattern
    ----3---3-----3-!----3---3-----3-!----7---7-----7-!  at the 5th fret.
    ----------------!----------------!----------------!
    ----------------!----------------!----------------!
    
    The fripp line on top of the belew 7/8 is basically the same riff in
    alternating bars of 6 and 7, but KEEPING THE SAME 8th note value. 
    This produces the funky intervals you hear... and you thought it
    was a delay! (I know *I* did first time I heard it... 8-)).
    
    ------------------|---------------|
    ------------2-----|----------2----|
    --2---4-------4---|--2---4--------|
    ----2---2-------2-|----2---2---2--|
    ------------------|---------------|  etc. over the 7/8 above...
    ------------------|---------------|
    
    
    The chording during fripps' wacked out picking in the intro and 
    between verses seems to be a barred 9th chord, dropping the 
    unison on the G string to the major 7th, ie
    
    --2-----2--2----|
    --2-----2--2----|
    --4-----3--4----|
    --4-----4--4----|
    --2-----2--2----|
    --2-----2--2----|
    
    with appropriate whammy bar antics for the first chord, then up to a
    Dsus2 (5th & 7th frets) then again another 3rd.  
    
    Oh yeah, when the 13/8 and 7/8 fall back together, they play for
    about 3 bars both in 7 *then* drop the bass note as noted above.
    
    Some one is yet to figure out the "wacked out fripp part".
    
    However, it's based on the following:
    
    ------------------------------------------------
    ------------------------------------------------
    ------------------------------------------------
    -----5-7-5-------5-7-5-------5-7-5--------------
    -5-8-------8-5-8-------8-5-8-------8------------  etc
    ------------------------------------------------
    
    Which modulates up to the 7th fret, then 10th, then 11th. The rhythm
    is strange, I can't pin down if it's sextuplets, 6 against 4, or what.
    It seems like he adds some notes sometimes to make things fit in.

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