Cowboy junkies - To love is to bury

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    COWBOY JUNKIES
    
    #----------------------------------PLEASE NOTE---------------------------------#
    #This file is the author's own work and represents their interpretation of the #
    #song. You may only use this file for private study, scholarship, or research. #
    #------------------------------------------------------------------------------##
    From: afung@cory.EECS.Berkeley.EDU (Andrew Fung)
    
    I'm not totally satisfied with this one, so any help or suggestions
    would be greatly appreciated.
    
    @SONG: "To Love Is To Bury"
    
    (In 3/4 time)
    
         G                    Am
    I buried him down by the river
           C              C  Em Am  G
    Cause that's where he liked to be
         G                    Am
    And every night when the moon is high
      C           C  Em  Am  G
    I go there and weep openly
    
     D             Am
    He and I were married
              C                Em      G
    By this river 'neath this willow tree
              D                 Am
    And with God and friends witnessing it
         C         Am        G
    He pledged his life to me
    
    To me he was Earth
    And I rooted in his soil
    I to he was Sky vast and free
    Of the burdens from which he toiled
    
    Then one night a terrible fight
    Words spoken better left unsaid
    With his wedding vows ringing in my ears
    He gave his life to me
    
    They say to love is to bury
    Those demons from which we all hide
    But tonight by this river 'neath this willow tree
    Becoming one of Earth and Sky
    
    Da da da, da da da, da da da, etc...
    
    
    Notes:
    On that C/Em/Am/G thing that's all in one measure ("where he
    liked to be"), I think it might just be a pair of C chords, 
    and I'm just hearing a walkdown from C down to G in the bass,
    in other words:
    
         C   Em?   Am?   G
    A ---3----2----0---------
    E -------------------3---
    
    On some of the Am's, I like to pick up my finger off of the
    D string and put it right back down, again, something that I
    don't think Michael's actually playing, but something that I
    think sounds sort of cool in there.  I picked up this trick
    from REM's "Swan Swan H." (in 3/4 time -- maybe that's why I 
    think it sounds good).
    
    
    Andrew Fung
    afung@po.eecs.berkeley.edu

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